Architectural & Construction Photography

We started behind the lens. Since 2013 we have photographed architecture and construction for clients including Derwent London, Equitone and the English National Ballet.

Great images are the difference between a project that gets specified and one that gets scrolled past. We shoot architectural and commercial photography built to be published.

Timing decides most of the result. A building photographs best in a narrow window: finished, cleaned, before it fills with boxes and desk clutter, and at the hour when the facade and the glazing actually behave. Firms who call a photographer a year after handover are usually asking to photograph something that no longer exists in that condition.

We shoot to a publishing standard because the images have to clear a higher bar than a website. Trade press, award submissions and specification documents all have requirements that phone photography does not meet. You receive the full library under a licence covering everything you will realistically do with it, rather than a per-use arrangement that makes you think twice before running an ad.

What's included

Architectural photographyConstruction progressCommercial and productHeadshots and teamEvent coverageInteriorsRetouchingLicensing

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Who Photography is right for

The best time to photograph a project is just after completion and before it is occupied and cluttered. If a scheme is finishing in the next few months, that is the moment to book, not a year later.

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Firms with finished work and no record of it

The most common situation in this sector: years of completed projects and a folder of phone snaps taken on handover day.

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Manufacturers needing product in situ

A product shot on a white background sells nothing. The same product installed and in use sells the specification.

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Practices submitting for awards and press

Entries and editorial both have image standards, and phone photography does not clear them.

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Anyone about to rebuild a website

Commissioning photography before the build, rather than after, is what separates a good site from a template.

The problem we solve

Specifiers can smell a stock library instantly, and nothing undermines a premium brand faster than generic imagery. Original photography of your own work is one of the fastest, most durable trust signals you can buy, and it feeds every other channel you run.

How we approach photography

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Plan the shot list

We agree the projects, angles and stories the images need to tell before the shoot.

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Shoot to publish

Architectural, construction, interior and product photography captured to a published standard.

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Work to the light and the programme

Buildings photograph best at specific times of day and specific stages of completion. We plan the visit around both.

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Retouch with restraint

Careful editing that stays true to the work and is never over-processed.

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Deliver and licence

A full library, licensed to you, ready for web, print, ads and PR.

What changes

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Imagery nobody else can use

Original photography of your own work cannot be bought by a competitor from the same library.

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One asset, every channel

The same set feeds the website, tenders, press, social and paid campaigns for years.

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Coverage becomes possible

Trade titles and awards need publishable images. Without them the story goes nowhere.

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A permanent record

Photographed once, at the right moment, and the project keeps selling long after the site is closed.

Photography: your questions answered

What do you photograph?

Architecture, construction progress, interiors, products, teams and events, all shot to be published.

Why not just use stock images?

Specifiers can spot a stock library instantly. Original photography of your own work is one of the fastest trust signals you can buy.

Do we own the images?

Yes, you receive a full licence to use your images across your marketing.

When is the best time to photograph a project?

Just after completion and before the space fills with boxes and clutter, at the time of day the facade and glazing behave. Booking a year after handover usually means photographing something that no longer looks like it did.

How many images do we get?

It depends on the scale of the shoot, and we agree the shot list in advance so you know what you are receiving. You get the full edited set rather than a small selection with the rest held back.

Can the images be used for press and awards?

Yes, that is part of why we shoot to a publishing standard. Trade titles and award submissions have image requirements that phone photography does not meet.